Volume 59
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Volume 59, Number 2 - TUDOR AND STUART DRAMA (SPRING 2019)
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| The Intelligence of "Negative" Passion and the Collapse of Stoicism in King Lear | Kelly Lehtonen |
| Puppet Performance and Collaborative Critique: Ben Jonson's Models of Literary Interpretation | Nicole Sheriko |
| "Bellies full of hazard": Pirate Economics in Robert Daborne's "A Christian Turn'd Turke" | Benjamin D. VanWagoner |
| "Shakespeare's Waters" | |
| Shakespeare, as the Water Rises | Joseph Campana |
| Sweet Song of Avon: Rivers in Shakespeare | David Bevington |
| Shakespeare's Sea and the Frontier of Knowledge | Jonathan Sell |
| Shakespeare's Littoral and the Drama of Loss and Store | Hillary Eklund |
| Salt or Fresh?: Shakespeare and the Blue Humanities | Steven Mentz |
| Pericles's Deep Ecology | Lowell Duckert |
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Volume 59, Number 3 - RESTORATION AND EIGHTEENTH CENTURY (SUMMER 2019)
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| Incomprehensible Contextures: Sterne & Hume on Entanglement | Andrew Warren |
| Epistolarity after the Post Office: Letters in the Jacobin Novels of the 1790s | Deven Parker |
| Reconciliation in David Garrick's Harlequin's Invasion and Cymbeline | Jonathan Crimmins |
| Gray's Finish | Andrew Hodgson |
| The Merit of Being First: Identifying the Mythical Scotsman at the Origin of English Literary Studies | David A. Harper |
| The Angling English: Nationalism, Political Propaganda, and Commercial Fishing during the Anglo-Dutch Wars | Ryan Hackenbracht |
| Reading with Feeling in Camilla and Belinda | Megan Taylor |
| Charlotte Smith's Ugly Feelings: Suspended Agency and the Deflated Sublime | Daniel Froid |
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Volume 59, Number 4 - NINETEENTH CENTURY (AUTUMN 2019) |
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| Childfree by Narrative Necessity?: Darwinian Anthropology in Anthony Trollope's Phineas Novels | Lauren Cameron |
| Thomas Moore's Confectionary Orientalism | Yin Yuan |
| "Nothing but musing would do": The British Museum and Fanny Price's East Room | Emma Peacocke |
| A. H. Clough, F. J. Child, and mid-Victorian Chaucer | Joseph Phelan |
| Keats's 1817 Occasions | Jonathan Mulrooney |
| "No meaning standing apart": Objects, Touch, and Consciousness in Silas Marner | Hannah Fogarty |
| "The Sight of Some Handwriting": Bleak House's Characters in Hand and Type | Monica Cohen |
| Wordsworth in Homage: Elegizing the Lyrical Ballads in the 1830s and 40s | Tim Fulford |
Volume 60
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Volume 60, Number 1 - ENGLISH RENAISSANCE (WINTER 2020)
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| Free to Fall in the Waste Wide Anarchie: Hobbes, Milton, and the Political Problem of Chaos | William Dean Clement |
| "Bought, Borrowed, and Sold Complexions": Fashioning Early Modern Englishness | Josie Schoel |
| Milton's Tutelary Angels | James Macdonald |
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Volume 60, Number 2 - TUDOR AND STUART DRAMA (SPRING 2020)
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| Twinship and Marriage in The Comedy of Errors | Kent Lehnhof |
| Medea and The Merchant of Venice: Shakespeare, Gender, and Rhetoric | Elizabeth Hutcheon |
| "modern for the times": Barry, Marlowe, and Ovid | Sarah Scott |
| Petruchio the Horse-Courser: Critiquing Mastery and Maintaining Hierarchy in The Taming of the Shrew | Elizabeth Mathie |
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Volume 60, Number 3 - RESTORATION AND EIGHTEENTH CENTURY (SUMMER 2020)
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| Women's Friendships as Critical Utopias in Wroth's Urania and Cavendish's Blazing World | Alexandra Verini |
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Volume 60, Number 4 - NINETEENTH CENTURY (AUTUMN 2020)
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| History, Memory, and the Ethics of Rewriting the Past in A Tale of Two Cities | Tina Choi |
| Willing Disbelief: How Coleridge's Faith Suspended Fielding's Skepticism | Zoe Beenstock |
| Locating Women's Book History in the Stainforth Library of Women's Writing | Kirstyn Leuner |
