Volume 59
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Volume 59, Number 4 - NINETEENTH CENTURY (AUTUMN 2019) |
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| Childfree by Narrative Necessity?: Darwinian Anthropology in Anthony Trollope's Phineas Novels | Lauren Cameron |
| Thomas Moore's Confectionary Orientalism | Yin Yuan |
| "Nothing but musing would do": The British Museum and Fanny Price's East Room | Emma Peacocke |
| A. H. Clough, F. J. Child, and mid-Victorian Chaucer | Joseph Phelan |
| Keats's 1817 Occasions | Jonathan Mulrooney |
| "No meaning standing apart": Objects, Touch, and Consciousness in Silas Marner | Hannah Fogarty |
| "The Sight of Some Handwriting": Bleak House's Characters in Hand and Type | Monica Cohen |
| Wordsworth in Homage: Elegizing the Lyrical Ballads in the 1830s and 40s | Tim Fulford |
Volume 60
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Volume 60, Number 1 - ENGLISH RENAISSANCE (WINTER 2020)
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| Free to Fall in the Waste Wide Anarchie: Hobbes, Milton, and the Political Problem of Chaos | William Dean Clement |
| "Bought, Borrowed, and Sold Complexions": Fashioning Early Modern Englishness | Josie Schoel |
| Milton's Tutelary Angels | James Macdonald |
| "Copy out only that": George Herbert and the Dangers of Invention | Anne Goetz Boemler |
| The Epic Calm in The Readie and Easie Way | Clay Daniel |
| The Queen's Conceit: Poetry and History in Shakespeare's Richard II | Colleen Rosenfeld |
| Female Sto[ne]icism in Early Modern Poetics | Emma Rayner |
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Volume 60, Number 2 - TUDOR AND STUART DRAMA (SPRING 2020)
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| Twinship and Marriage in The Comedy of Errors | Kent Lehnhof |
| Medea and The Merchant of Venice: Shakespeare, Gender, and Rhetoric | Elizabeth Hutcheon |
| "modern for the times": Barry, Marlowe, and Ovid | Sarah Scott |
| Petruchio the Horse-Courser: Critiquing Mastery and Maintaining Hierarchy in The Taming of the Shrew | Elizabeth Mathie |
| Jane Shore's Political Power and the Transformation of Identity in Thomas Heywood's Kind Edward IV | Christina M. Squitieri |
| Quintilian's Forensic Grief and The Spanish Tragedy | John Wesley |
| Puppets, Sexlessness, and the Dumbfoundingof Male Epistemology in Jonson's Bartholomew Fair | Robert Darcy |
| Number and Narrative in Marlowe's Tamburlaine the Great | Lisa J. Wilde |
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Volume 60, Number 3 - RESTORATION AND EIGHTEENTH CENTURY (SUMMER 2020)
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| Women's Friendships as Critical Utopias in Wroth's Urania and Cavendish's Blazing World | Alexandra Verini |
| Gilbert White, Anecdote, and Natural History | Melissa Sodeman |
| The Wild Irish Girl Diet | Shawn Hall |
| Natural Philosophy, Religious Toleration, and the Speculative Mandate in Margaret Cavendish's Convent of Pleasure (1668) | Donovan Tann |
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Volume 60, Number 4 - NINETEENTH CENTURY (AUTUMN 2020)
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| History, Memory, and the Ethics of Rewriting the Past in A Tale of Two Cities | Tina Choi |
| Willing Disbelief: How Coleridge's Faith Suspended Fielding's Skepticism | Zoe Beenstock |
| Locating Women's Book History in the Stainforth Library of Women's Writing | Kirstyn Leuner |
| Ordinary Styles: Dickens's Realism and the Romantic Essayists | Uttara Natarajan |
| Shelley's Excursion | Madeleine Callaghan |
| Emma and the "Chimera of Relativism" | Yasmin Solomonescu |
| Rise of British Petroaesthetics in King Coal's Levee | Kent Linthicum |
| Epic-graphic Proportions in George Eliot's Middlemarch | Amelia Hall |
Volume 61
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Volume 61, Number 4 - NINETEENTH CENTURY (AUTUMN 2021)
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| The Soul of Man under Fairy Tales: Oscar Wilde, Social Justice, and Aesthetic Disidentification | James Campbell |
| "[T]hat Fatal Register": Registration and Impersonation in A Tale of Two Cities | Clayton Tarr |
Volume 62
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Volume 62, Number 2 - TUDOR AND STUART DRAMA (SPRING 2022)
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| The Tragedy of Kindness in King Lear | Kerr, Jason A. |
| Ben Jonson's Orificial Comedy | Mulder, James |
