Volume 58
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Volume 58, Number 4 - NINETEENTH CENTURY (AUTUMN 2018)
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| Autumnal Affect in the Poetry of John Clare | Jonas Cope |
| The "Tragedy of a Poor Man's Life": Christianity and Class in Elizabeth Gaskell's Mary Barton | Lynn Shakinovsky |
| The Realist Novel as Liberal Form: Strong and Many-Sided Evaluation in the Character-Sytem of Middlemarch | Matthew T. Flaherty |
| Tyesha and the Threat of Translation: Philological Fantasy  in H. Rider Haggard's She | Katy Brundan |
| Ourselves Writing: Clare's Manuscript Translations of Byron and the Bible | Stephanie Weiner |
| William Wordsworth and the Invention of Culture | Peter Miller |
| Nature and Classification in Dorothy and William Wordsworth's Writing | Allison Turner |
| George Eliot, George Henry Lewes, and Parasitic Form | Jeanette Samyn |
Volume 59
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Volume 59, Number 1 - ENGLISH RENAISSANCE (WINTER 2019)
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| "Gather the flowers, but spare the buds": Girls and Sexuality in Seventeenth-Century Love Lyrics | Jennifer Higginbotham |
| Intimacy Unbound: Epistolary Copulation in Donne's Verse Letters | Timothy Duffy |
| Marvell on Renaissance Translation Practice | Curtis Whitaker |
| George Herbert's Career as a Holy Laureate | Brice Peterson |
| Reading Rapture: Richard Crashaw's St. Teresa | Jonathan V. Crewe |
| "Divers schedules of my beauty": The Miniature in Early Modern English Literature | Amanda Kellogg |
| Austerity Measures: The Poetics of Ethical Eating in George Herbert's "The Temple" | Andrea Crow |
| "The Compound Good": Atomic Theory in Donne's "Obsequies to the Lord Harrington" | Alan James Hogarth |
| Decay, Intimacy, and Lyric Metaphor in Donne | Eileen M. Sperry |
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Volume 59, Number 2 -Â TUDOR AND STUART DRAMA (SPRING 2019)
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| The Intelligence of "Negative" Passion and the Collapse of Stoicism in King Lear | Kelly Lehtonen |
| Puppet Performance and Collaborative Critique: Ben Jonson's Models of Literary Interpretation | Nicole Sheriko |
| "Bellies full of hazard": Pirate Economics in Robert Daborne's "A Christian Turn'd Turke" | Benjamin D. VanWagoner |
| "Shakespeare's Waters" | |
| Shakespeare, as the Water Rises | Joseph Campana |
| Sweet Song of Avon: Rivers in Shakespeare | David Bevington |
| Shakespeare's Sea and the Frontier of Knowledge | Jonathan Sell |
| Shakespeare's Littoral and the Drama of Loss and Store | Hillary Eklund |
| Salt or Fresh?: Shakespeare and the Blue Humanities | Steven Mentz |
| Pericles's Deep Ecology | Lowell Duckert |
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Volume 59, Number 3 - RESTORATION ANDÂ EIGHTEENTH CENTURY (SUMMER 2019)
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| Incomprehensible Contextures: Sterne & Hume on Entanglement | Andrew Warren |
| Epistolarity after the Post Office: Letters in the Jacobin Novels of the 1790s | Deven Parker |
| Reconciliation in David Garrick's Harlequin's Invasion and Cymbeline | Jonathan Crimmins |
| Gray's Finish | Andrew Hodgson |
| The Merit of Being First: Identifying the Mythical Scotsman at the Origin of English Literary Studies | David A. Harper |
| The Angling English: Nationalism, Political Propaganda, and Commercial Fishing during the Anglo-Dutch Wars | Ryan Hackenbracht |
| Reading with Feeling in Camilla and Belinda | Megan Taylor |
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Volume 59, Number 4 - NINETEENTH CENTURY (AUTUMN 2019) |
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| Childfree by Narrative Necessity?: Darwinian Anthropology in Anthony Trollope's Phineas Novels | Lauren Cameron |
| Thomas Moore's Confectionary Orientalism | Yin Yuan |
| "Nothing but musing would do": The British Museum and Fanny Price's East Room | Emma Peacocke |
| A. H. Clough, F. J. Child, and mid-Victorian Chaucer | Joseph Phelan |
| Keats's 1817 Occasions | Jonathan Mulrooney |
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Volume 60
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Volume 60, Number 1 - ENGLISH RENAISSANCE (WINTER 2020)
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| Free to Fall in the Waste Wide Anarchie: Hobbes, Milton, and the Political Problem of Chaos | William Dean Clement |
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Volume 60, Number 2 - TUDOR AND STUART DRAMA (SPRING 2020)
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| Twinship and Marriage in The Comedy of Errors | Kent Lehnhof |
| Medea and The Merchant of Venice: Shakespeare, Gender, and Rhetoric | Elizabeth Hutcheon |
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