Volume 60
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Volume 60, Number 2 - TUDOR AND STUART DRAMA (SPRING 2020)
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| Twinship and Marriage in The Comedy of Errors | Kent Lehnhof |
| Medea and The Merchant of Venice: Shakespeare, Gender, and Rhetoric | Elizabeth Hutcheon |
| "modern for the times": Barry, Marlowe, and Ovid | Sarah Scott |
| Petruchio the Horse-Courser: Critiquing Mastery and Maintaining Hierarchy in The Taming of the Shrew | Elizabeth Mathie |
| Jane Shore's Political Power and the Transformation of Identity in Thomas Heywood's Kind Edward IV | Christina M. Squitieri |
| Quintilian's Forensic Grief and The Spanish Tragedy | John Wesley |
| Puppets, Sexlessness, and the Dumbfoundingof Male Epistemology in Jonson's Bartholomew Fair | Robert Darcy |
| Number and Narrative in Marlowe's Tamburlaine the Great | Lisa J. Wilde |
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Volume 60, Number 3 - RESTORATION AND EIGHTEENTH CENTURY (SUMMER 2020)
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| Women's Friendships as Critical Utopias in Wroth's Urania and Cavendish's Blazing World | Alexandra Verini |
| Gilbert White, Anecdote, and Natural History | Melissa Sodeman |
| The Wild Irish Girl Diet | Shawn Hall |
| Natural Philosophy, Religious Toleration, and the Speculative Mandate in Margaret Cavendish's Convent of Pleasure (1668) | Donovan Tann |
| "Not much in her appearance to captivate": Fanny Price as Disabled Heroine in Mansfield Park | Ula Klein |
| "That Language we call Broad Scots": Boswell's Dictionary and the Status of Scots Dialect | Taylor Walle |
| Deformed Bodies and Norse Origins in William Blake | Sharon Choe |
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Volume 60, Number 4 - NINETEENTH CENTURY (AUTUMN 2020)
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| History, Memory, and the Ethics of Rewriting the Past in A Tale of Two Cities | Tina Choi |
| Willing Disbelief: How Coleridge's Faith Suspended Fielding's Skepticism | Zoe Beenstock |
| Locating Women's Book History in the Stainforth Library of Women's Writing | Kirstyn Leuner |
| Ordinary Styles: Dickens's Realism and the Romantic Essayists | Uttara Natarajan |
| Shelley's Excursion | Madeleine Callaghan |
| Emma and the "Chimera of Relativism" | Yasmin Solomonescu |
| Rise of British Petroaesthetics in King Coal's Levee | Kent Linthicum |
| Epic-graphic Proportions in George Eliot's Middlemarch | Amelia Hall |
Volume 61
| Volume 61, Number 1 - ENGLISH RENAISSANCE (WINTER 2021) | |
| Love, Capacity, and Traherne's Idea of the Book | Brett DeFries |
| Sabbath Puns and Okonomia in Spenser's Faerie Queene | Judith H. Anderson |
| Forming "all other societie": Lies, Evasions, and Friendly Networks in Mary Wroth's The Countess of Montgomery's Urania | Jonathan Shelley |
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Volume 61, Number 2 - TUDOR AND STUART DRAMA (SPRING 2021) |
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| **SPECIAL ISSUE: WORLD, GLOBE, PLANET** | |
| Guest Editors Joseph Campana and Ayesha Ramachandran |
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Volume 61, Number 3 - RESTORATION AND EIGHTEENTH CENTURY (SUMMER 2021) |
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| Sarah Fielding's Double Stratagem in The Lives of Cleopatra and Octavia | Earla Wilputte |
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Volume 61, Number 4 - NINETEENTH CENTURY (AUTUMN 2021) |
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| The Soul of Man under Fairy Tales: Oscar Wilde, Social Justice, and Aesthetic Disidentification | James Campbell |
| "[T]hat Fatal Register": Registration and Impersonation in A Tale of Two Cities | Clayton Tarr |
| Shirley: History after Wuthering Heights | Kate Lawson |
| Realism, Initially | Ellen Bistline |
| Oriental Debts and Occidental Avatars in Robert Southey's The Curse of Kehama | Christopher Kelleher |
Volume 62
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Volume 62, Number 2 - TUDOR AND STUART DRAMA (SPRING 2022)
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| The Tragedy of Kindness in King Lear | Jason A. Kerr |
| Ben Jonson's Orificial Comedy | Jason Mulder |
| "Naked to the Deadly Stroke": Embodiment and Disability in 3 Henry VI and Richard III | Matthew Carter |
