Spring 2022 Books Received

Arshad, Yasmin. Imagining Cleopatra: Performing Gender and Power in Early Modern England. Arden Studies in Early Modern Drama. Series eds. Lisa Hopkins and Douglas Bruster. London and New York: Bloomsbury Arden Shakespeare/Bloomsbury, 2019. Pp. 360. $115.00. ISBN 978-1-3500-5896-5.

Atkin, Tamara. Reading Drama in Tudor England. Material Readings in Early Modern Culture. Series eds. James Daybell and Adam Smyth. London and New York: Routledge, 2018. Pp. xxx + 240. $128.00. ISBN 978-1-4724-7626-5.

Auden, W. H. Lectures on Shakespeare. Ed. Arthur Kirsch. Princeton Classics. W. H. Auden: Critical Editions. Gen. Ed. Edward Mendelson. Princeton and Oxford: Princeton Univ. Press, 2019 (paper only). Pp. xxviii + 404. $19.95 paper. ISBN 978-0-691-19716-6.

Barnden, Sally. Still Shakespeare and the Photography of Performance. Cambridge and New York: Cambridge Univ. Press, 2020. Pp. xiv + 250. $105.00. ISBN 978-1-108-48793-1.

Bicks, Caroline. Cognition and Girlhood in Shakespeare’s World: Rethinking Female Adolescence. Cambridge and New York: Cambridge Univ. Press, 2021. Pp. xii + 300. $99.99. ISBN 978-1-108-84421-5.

Bigliazzi, Silvia, ed. Shakespeare and Crisis: One Hundred Years of Italian Narratives. Shakespeare in European Culture 2. Series eds. Dirk Delastita and Keith Gregor. Amsterdam and Philadelphia: John Benjamins, 2020. Pp. x + 294. $143.00. ISBN 978-90-272-0561-2.

Bladen, Victoria, Sarah Hatchuel, and Nathalie Vienne-Guerrin, eds. Shakespeare on Screen: “King Lear”. Shakespeare on Screen. Cambridge and New York: Cambridge Univ. Press, 2019. Pp. xxii + 254. $99.99. ISBN 978-1-108-42692-3.

Bourne, Claire M. L., ed. Shakespeare / Text: Contemporary Readings in Textual Studies, Editing, and Performance. Arden Shakespeare Intersections. Series eds. Farah Karim-Cooper, Gordon McMullan, Lucy Munro, and Sonia Massai. London and New York: Bloomsbury Arden Shakespeare/Bloomsbury, 2021. Pp. xviii + 450. $160.00. ISBN 978-1-350-12814-9.

Brandreth, Benet. Shakespearean Rhetoric: A Practical Guide for Actors, Directors, Students, and Teachers. Arden Performance Companions. Series eds. Michael Dobson, Abigail Rokison-Woodall, and Simon Russell Beale. London and New York: Bloomsbury Arden Shakespeare/Bloomsbury, 2019. Pp. 264. $68.00. ISBN 978-1-3500-8797-2.

Britton, Dennis Austin, and Melissa Walter, eds. Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies. Routledge Studies in Shakespeare 32. New York and London: Routledge, 2018. Pp. xiv + 336. $128.00. ISBN 978-1-138-12307-6.

Chiari, Sophie, and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge and New York: Cambridge Univ. Press, 2019. Pp. xvi + 286. £78.99. ISBN 978-1-108-48667-5.

Cieślak, Magdalena. Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century. Remakes, Reboots, and Adaptations. Ed. Carlen Lavigne and Paul Booth. Lanham MD, Boulder CO, New York, and London: Lexington Books/Rowman and Littlefield, 2019. Pp. 294. $100.00. ISBN 978-1-4985-6374-1.

Clare, Janet, and Dominique Goy-Blanquet, eds. Migrating Shakespeare: First European Encounters, Routes and Networks. Global Shakespeare Inverted. Series eds. Davi Schalkwyk, Silvia Bigliazzi, and Bi-qi Beatrice Lei. London and New York: Bloomsbury Arden Shakespeare/Bloomsbury, 2021. Pp. 312. $100.00. ISBN 978-1-350-10328-3.

Dixon, Dustin W, and John S. Garrison. Performing Gods in Classical Antiquity and the Age of Shakespeare. Bloomsbury Studies in Classical Reception. London and New York: Bloomsbury Academic/ Bloomsbury, 2019. Pp. 208. $115.00. ISBN 978-1-350-09814-5.

Easterling, Heather C., and Jennifer Flaherty, eds. “The Taming of the Shrew”: The State of Play. Arden Shakespeare State of Play. Gen. eds. Lena Cowen Orlin and Ann Thompson. Pp. xviii + 252. $100.00. ISBN 978-1-350-13819-3.

Freeman, Neil. Monologues from Shakespeare’s First Folio for Older Men: The Histories. Applause Shakespeare Monologue Series. Series ed. Neil Freeman. Guilford CT: Applause Theatre & Cinema Books (distributed by National Book Network), 2021 (paper only). Pp. 192. $18.95 paper. ISBN 978-1-4930-5696-5.

Freeman, Neil. Monologues from Shakespeare’s First Folio for Older Men: The Comedies. Applause Shakespeare Monologue Series. Series ed. Neil Freeman. Guilford CT: Applause Theatre & Cinema Books (distributed by National Book Network), 2021 (paper only). Pp. 192. $18.95 paper. ISBN 978-1-4930-5694-1.

Freeman, Neil. Monologues from Shakespeare’s First Folio for Women: The Comedies. Applause Shakespeare Monologue Series. Series ed. Neil Freeman. Guilford CT: Applause Theatre & Cinema Books (distributed by National Book Network), 2021 (paper only). Pp. 192. $18.95 paper. ISBN 978-1-4930-5682-8.

Freeman, Neil. Monologues from Shakespeare’s First Folio for Women: The Tragedies. Applause Shakespeare Monologue Series. Series ed. Neil Freeman. Guilford CT: Applause Theatre & Cinema Books (distributed by National Book Network), 2021 (paper only). Pp. 192. $18.95 paper. ISBN 978-1-4930-5686-6.

Griffin, Andrew. Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe. Toronto, Buffalo NY, and London: Univ. of Toronto Press, 2019. Pp. x + 198. $65.00. ISBN 978-1-4875-0348-2.

James, Heather. Ovid and the Liberty of Speech in Shakespeare's England. Cambridge and New York: Cambridge Univ. Press, 2021. Pp. 320. $99.99. ISBN 978-1-1084-8762-7.

Juric, Lea Puljcan. Illyria in Shakespeare’s England. Lanham MD: Farleigh Dickinson Univ. Press, 2019. Pp. xiii + 353. $120.00. ISBN 978-1-68393-176-8.

Lammers, Lukas. Shakespearean Temporalities: History on the Early Modern Stage. Routledge Studies in Shakespeare 31. New York and London: Routledge, 2018. Pp. x + 228. $128.00. ISBN 978-1-138-47747-6.

Loftis, John Clyde. Renaissance Drama in England and Spain: Topical Allusion and History Plays. Princeton Legacy Library. Princeton: Princeton Univ. Press, 2019. Pp. xvi + 286. $114.95 cloth. ISBN 978-0-691-65615-1. $45.95 paper. ISBN 978-0-691-60974-4.

Marlowe, Christopher. The Jew of Malta (First Edition). Ed. Lloyd Edward Kermode. Norton Critical Editions. New York and London: W. W. Norton, 2021 (paper only). Pp. xviii + 558. $18.75 paper. ISBN 978-0-393-64335-0.

Mason, Clifford. “Macbeth” in Harlem: Black Theater in America from the Beginning to “Raisin in the Sun”. New Brunswick NJ and London: Rutgers Univ. Press, 2020. Pp. 236. $32.95. ISBN 978-1-9788-0999-4.

Mayfield, DS. Rhetoric and Contingency: Aristotle, Machiavelli, Shakespeare, Blumenberg. Berlin and Boston: De Gruyter, 2020. Pp. xi + 888. $157.99. ISBN 978-3-11-070151-7.

Menzer, Paul, and Amy R. Cohen, eds. Shakespeare in the Light: Essays in Honour of Ralph Alan Cohen. Lanham MD: Farleigh Dickinson Univ. Press (Copublished by Rowman and Littlefield), 2020. Pp. 174. $100.00. ISBN 978-1-68393-164-5.

Phillips, Harriet. Nostalgia in Print and Performance, 1510–1613: Merry Worlds. Cambridge and New York: Cambridge Univ. Press, 2019. Pp. xii + 242. £78.99. ISBN 978-1-108-48227-1.

Poole, Kristen and Owen Williams, eds. Early Modern Histories of Time: The Periodization of Sixteenth- and Seventeenth-Century England. Philadelphia: Univ. of Pennsylvania Press, 2019. Pp. x + 366. $79.95. ISBN 978-0-8122-5152-4.

Rosenblum, Joseph. All the World’s a Stage: A Guide to Shakespearean Sites. Lanham MD, Boulder CO, New York, and London: Lexington Books/Rowman and Littlefield, 2019. Pp. 376. $89.00. ISBN 978-1-5381-1380-6.

Sell, Jonathan P. A. Shakespeare’s Sublime Ethos: Matter, Stage, Form. Routledge Studies in Shakespeare. New York and London: Routledge, 2022. Pp. xviii + 260. $160.00. ISBN 978-1-032-01814-0.

Sell, Jonathan P. A. Shakespeare’s Sublime Pathos: Person, Audience, Language. Routledge Studies in Shakespeare. New York and London: Routledge, 2022. Pp. xvi + 238. $160.00. ISBN 978-1-032-01794-5.

Shakespeare, William. The Tragedy of Macbeth. Ed. with introduction and notes by Jan H. Blits. Indianapolis and Cambridge: Focus/Hackett Publishing, 2021 (paper only). Pp. xxiv + 232. $16.00 paper. ISBN 978-1-58510-992-0.

Sherman, Donovan. Stoicism as Performance in “Much Ado about Nothing:” Acting Indifferently. Cambridge Elements: Elements in Performance. Ed. W. B. Worthen. Cambridge and New York: Cambridge Univ. Press, 2019 (paper only). Pp. 70. £15.00. ISBN 978-1-108-70729-9.

Snyder, Susan. The Comic Matrix of Shakespeare’s Tragedies: Romeo and Juliet, Hamlet, Othello, and King Lear. Princeton Legacy Library. Princeton: Princeton Univ. Press, 2019. Pp. x + 186. $60.00 cloth. ISBN 978-0-69165638-0. $30.00 paper. ISBN 978-0-6911-9661-9.

Stewart, Alan, ed. The Broadview Anthology of Tudor Drama. Peterborough ON and Tonawanda NY: Broadview, 2021 (paper only). Pp. xii + 652. $59.95 paper. ISBN 978-1-55481-411-4.

Varnado, Christine. The Shapes of Fancy: Reading for Queer Desire in Early Modern Literature. Minneapolis and London: Univ. of Minnesota Press, 2020. Pp. 332. $120.00 cloth. ISBN 978-1-5179-0776-1. $30.00 paper. ISBN 978-1-5179-0777-8.

Wiggins, Ellwood. Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist. New Studies in the Age of Goethe. Series ed. Karin Schujer. Lewisburg PA: Bucknell Univ. Press (distributed by Rutgers Univ. Press), 2019. Pp. xxx + 322. $120.00 cloth. ISBN 978-1-68448-038-8. $34.95 paper. ISBN 978-1-68448-037-1.

Williams, Katherine Schaap. Unfixable Forms. Ithaca and London: Cornell Univ. Press, 2021. Pp. 330. $59.95. ISBN 978-1-5017-5350-3.